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Audry Deal-McEver
Primary Medium Clay
Secondary MediumPhotography
Description of Work Wheel-thrown functional pottery with hand-carved botanical patterns.
Chapter Midstate
Company/Business Audry Deal-McEver LLC
Website https://www.AudryDealMcEver.com
Additional Links https://www.AudryDealMcEver.com
Artist Statement
In the wild, plants have adapted their scent and color to help attract creatures to pollinate them, with the end goal of propagation. In a similar way, artists and designers throughout history have adapted their floral symbols to attract consumers that will acquire and spread their new patterns and designs. What starts out as a life-like botanical illustration can evolve drastically over hundreds of years (much like the cherry blossom and the rose share common ancestry but are now completely different flowers). Since many of the designers worked from memory, the translation from reality to a 2-D print or pattern is full of oddities and is often far removed from nature. I find the analysis of this visual evolution increasingly relevant as humans spend less time outdoors and our botanical inspired decor becomes a surrogate natural experience.
Over the past several years, I have been doing studies of the different botanical symbols seen throughout history and carving them onto white clay vessels. I enjoy the way the patterns and forms engage each other. Though I spend many hours looking at historical motifs, I carve from memory and make my own interpretations. My end goal is to create ornate, utility-based forms that inspire users to engage in slow, deliberate moments of sustenance.
In the wild, plants have adapted their scent and color to help attract creatures to pollinate them, with the end goal of propagation. In a similar way, artists and designers throughout history have adapted their floral symbols to attract consumers that will acquire and spread their new patterns and designs. What starts out as a life-like botanical illustration can evolve drastically over hundreds of years (much like the cherry blossom and the rose share common ancestry but are now completely different flowers). Since many of the designers worked from memory, the translation from reality to a 2-D print or pattern is full of oddities and is often far removed from nature. I find the analysis of this visual evolution increasingly relevant as humans spend less time outdoors and our botanical inspired decor becomes a surrogate natural experience.
Over the past several years, I have been doing studies of the different botanical symbols seen throughout history and carving them onto white clay vessels. I enjoy the way the patterns and forms engage each other. Though I spend many hours looking at historical motifs, I carve from memory and make my own interpretations. My end goal is to create ornate, utility-based forms that inspire users to engage in slow, deliberate moments of sustenance.
Artist Details
- Mentorships
- All
- Craft Teaching
- Wheel-throwing, hand-buildling, surface design on clay, art business logistics
- Retail Artworks
- Demonstrates Craft/Artwork
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